home *** CD-ROM | disk | FTP | other *** search
- [This description of Wicca is highly Goddess oriented, and the
- Witch described herein, Starhawk, has since become a lot less
- feminist oriented. Her book _Spiral Dance_ is a wonderful
- introduction to Wicca and magic --Amythyst]
-
- - - - - - - - - - - - - - - -
- B L E S S E D B E
- - - - - - - - - - - - - - - -
- Touching The Power Of Witches
-
- By, Andrea Behr (San Jose Mercury News Staff Writer - 11/28/87)
-
-
- When I look back on it, I think I may have been a witch
- even as a kid.
- Although I recieved no religious training as a child,
- something in me, some sense of connection or gratitude, demanded
- expression. I tried to believe in God, as I understood him. I
- would stare at the sky and try to convince myself that some real
- entity was staring back at me. I'd manage it - for a second or
- two.
- The stars were certainly real, though, and miraculous
- enough. I could imagine them looking at me.
- When I was only about 8 or 9, I used to go alone to
- secret places in empty lots near my suburban house to commune with
- plants and trees. Without knowing that anyone had ever done it
- before me, I celebrated the solstices and equinoxes with rituals.
- I would stand on a certain boulder, for instance, and say certain
- words to greet the new season.
- It mattered to me when the season changed. New moods
- would sweep over me; everthing smelled different; the world
- shifted. I had a mystical relationship with each season.
- Twenty years later, when I encountered witches and their
- religion, known as Wicca, I realized that they were doing with
- their full adult power what I had done instinctively as a child.
-
- -----
- Modern witches worship the physical world - the earth, their own
- bodies, the cycles of the sun and moon, life and death, light and
- darkness, and change, according to Starhawk, a San Francisco witch
- and writer. They have no deity but nature, though they use as a
- symbol and focus the earth Goddess, who was worshiped in various
- forms by people in ancient times.
- -----
- Witches such as Starhawk believe that re-creating a modern version
- of the old pre-Judeo-Christian, female-centered religion is the
- best way to heal ourselves and others, find power and wholeness,
- and perhaps rescue the earth from the successes of its dominant
- species. Witches for centuries have suffered persecution at the
- hands of those who have labeled their craft evil, heretical or
- satanic. I never rejected Wicca on those grounds. But at first I
- was skeptical, even satirical. I'd lived in California long enough
- to have had my fill of vaguely beatific people who don't believe
- in using the brains they were born with.
- -----
-
- But the witches I met seemed surprisingly solid and
- sensible, and they radiated a sense of power - and a sense of
- humor - that attracted me.
- "Witchcraft has always been a religion of poetry, not
- theology," Starhawk has written. It doesn't have a great deal to
- offer the intellectual. On the other hand, you don't have to
- "believe in" anything other than yourself. The rituals and
- practices tap into archetypes that speak to deep psychological
- truths.
- I liked the way Starhawk and her followers combined their
- political passions - anti-nuclear work, environmental issues,
- feminism - with their religion. They seemed to be having fun, too:
- cutting loose, getting bigger and deeper as people. I felt a
- kinship with them.
- But in my life, people don't go around talking about the
- Goddess, saying "Blessed Be" and singing songs to the moon, not to
- mention casting spells. It was embarrassing. It was dumb. I was
- torn.
- Finally I took a deep breath and signed up for a weeklong
- workshop in "Goddess spirituality." I drove to the Quaker Center
- in Ben Lomand on a warm Sunday evening in August in a cold sweat
- of anxiety.
- I felt as if I were about to jump off a cliff.
- There were about 45 of us - including several men -
- ranging in age from about 20 to about 60, about equally divided
- between gay and heterosexual We came to the workshop from many
- directions, and not just geographically. There were former
- radicals, professional witches, lesbian farm couples, a hal Indian
- punk-rock enthusiast, a middle-aged West German man, a quiet woman
- who lived in her mother's house in a small town in Illinois and
- talked to trees. I feared that I was the most "normal" person
- there.
- That first, utterly black new-moon night, we formed a
- circle in a clearing sheltered by redwoods and performed a ritual.
- We faced each of the four directions in turn and called
- in the elements - air in the east, fire in the south, water in the
- west and earth in the north. We "cast a circle" around us to
- create sacred space, imagining a boundary of energy separating us
- from the rest of the world and binding us to one another. We sang
- simple songs over and over to invoke the presence of the Goddess
- in her triple aspects of maiden, mother and crone. Then we called
- on the Horned God, her child-lover, who, in the Wiccan tradition,
- dies and is reborn.
- Of that first ritual, I mostly remember the strangeness
- and beauty, the way I felt that half of me was outside the circle,
- making fun of how silly it was, while the other half was doing it
- anyway, and feeling something stir inside.
- That internal war raged all week. Making magic required
- the most delicate suspension of disbelief. I struggled to quiet
- the howls of outrage from my rational, tough-minded side in order
- to reap what I wanted from the practices I was learning.
- I also sometimes felt overwhelmed. So much was being
- addressed to me, so much dug into and stirred up, that I sometimes
- felt that I couldn't contain it all. It was like trying to stuff a
- rhinoceros into my back pocket.
- Those of us in the beginning track - "Elements of Magic"
- - spent the first part of the workshop learning a basic ritual in
- slow motion.
- We did a grounding exercise, imagining roots growing from
- the bottoms of our feet, down through the earth to its center, and
- then imagining "earth energy" being sucked up through our roots
- into our bodies.
- Then out teacher blessed some salt and a bowl or water,
- mixed the salt into the water with her athame, or magical knife,
- and told us to project into the salt water any negative emotions,
- stray thoughts or physical discomforts that might distract us from
- the ritual.
- We imagined the water being tranformed and filled with
- light. When we felt ready, we each touched the water or tasted it,
- to take in the purified energy.
- Next it was time to become acquainted with the elements:
- - Air, the element of thought, morning, spring,
- childhood, the sky, he eagle, laughter, clarity and knowledge.
- - Fire, the Goddess' "bright spirit," the element that
- corresponds to passion, energy, noon, summer, and the will.
- - Water, the element that represents emotions, twilight,
- autumn, the ocean, everything that flows and adapts, courage.
- - Earth, the element of mystery and darkness, strength,
- midnight, winter, the body, begetation, the power to listen and
- keep secrets.
- I got pleasure from the poetry of the elements, and I
- explored their correspondences in myself.
- Once the circle was cast, we danced and sang and beat
- drums. Toward the end of the ritual, we "raised a cone of energy"
- through our voices, making sounds together that rose to a peak we
- could all feel and then fell away.
- One morning, Starhawk led us in a drum trance. She tapped
- a drum soft while she told us the story of our lives, puncuated by
- chants that we sang over and over.
- After a while, I really did fall into a kind of trance,
- mesmerized by the singing, the ceasless drumming and Starhawk's
- hypnotic storytelling.
- We started, oddly, with the death. We were asked to
- imagine what it would be like to let go of life right now, leave
- everything unfinished, pass it along to others. I became
- frightened, almost paralyzed. Some people wept.
- The she described a beat, a rythym we could hear even in
- stillness; next, a sense of structure coalescing in the darkness.
- Soon we were growing and forming, and then being born.
- We sang the song of our parents: "Welcome little one, we
- are so glad to see you." Some of us now were weeping with joy.
- As she talked us through our life spans, I realized that
- Starhawk was describing life as it would be if everyone's human
- needs were honored. What if babies were always cherished? If
- puberty were celebrated publicly as the advent of a new kind of
- power, and young people were expected to search out and accept
- their unique spiritual path, and then were welcomed formally into
- the circle of their elders as equals? What if everyone had work
- that helped the community, and when we were old, we were allowed
- to rest and were honored for all we had learned?
- As I listened, places - desires, maybe, or hopes - that
- in me, as in most people, are closed tight in despair began to
- unfurl a little.
- By the time the week concluded, I felt as high as if I
- had taken a drug. The highway traffic, it occurred to me as I
- drove home, was a ritual. Here we were, tooling down the road in
- close formation, trusting our lives to one another's ability to do
- the right thing moment to moment - except this time out magical
- tools were huge metal juggernauts, and the ritual was far riskier
- than anything we'd tried in the woods.
- When I got home, I took a walk, thinking on the way that
- by participating in Wiccan rituals, I had gone out on a limb. We
- had pledged ourselves to pass on the healing arts we had learned
- and had committed ourselves to keeping the energy we had raised
- rippling out into the world. Some of the participants had
- expressed what I thought were rather grandiose ideas about healing
- the earth and transforming society.
- I'd been defensive about that part of the work. It was
- true that as a single, childless person, I often felt dissatisfied
- about living so much for myself. But I could see no path, no
- bridge to something wider.
- As I walked home, I watched admiringly as five boys
- whizzed past me on skateboards. Suddenly, one boy hit an
- obstruction about a block ahead of me, flew into the air and
- crashed onto the sidewalk.
- He was pumping his legs in agony and his arm we bent at a
- horrible angle. Blood was dripping slowly onto the sidewalk. His
- friends were standing over him with pale faces. No one else was
- nearby.
- I asked whether they'd called an ambulance. They nodded.
- I actually took another step, thinking, "It's taken care
- of," thinking half-consciously, "This is a pre-adolescent black
- kid. He won't want any help from a white woman. He'll be too
- proud. He'll be embarrassed. He'll be too hostile."
- I looked at him, crying on the sidewalk. and in an
- instant I knew that those were crazy, alientated thoughts and that
- I had just spent a week trying to fill myself with something much
- more useful than that.
- I sat down on the sidewalk, held him and soothed him,
- using technique I'd learned from the witches, until the ambulance
- came.
- Then I went home, lay down trembling in the back yard and
- thanked the Goddess for her message.
-